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The Book Thief Part 8: The Collector Summary & Analysis | LitCharts.

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But what really makes this book expensive toilet paper is the bad writing which is to be found not just in bizarre descriptions of the weather, but really on every page. Some personal favorites? All of this is quite funny coming from a book where the main character supposedly learns the importance of words.

Further, I love that the protagonist comes to the conclusion that Hitler “would be nothing without words.

What about self-loathing, misplaced blame and hatred, an ideology, xenophobia, charisma, an army, and a pride-injured nation willing to listen? Don’t those count for something?? The shit-storm comes to an end when a bomb lands on our fictional town, wiping out everyone save for the sometimes book-thief main character. Of course. Because weak writers who don’t know how to end their story just kill everyone off for a clean break and some nice emotional manipulation.

Written for maximum tear-jerking effect, our main character spews out some great lines when she sees the death and destruction around her: To her dead mother, “God damn it, you were so beautiful.

I love you! Wake up! Then she profoundly notes that her dead father ” It went on and on to form the one long-ass, senseless, disjointed story. But that’s ok. Take it all the junk, give it a quirky narrator, an obscure and mysterious title, throw in a Jew on the run from Nazis who likes to draw silly pictures of birds and swastikas, and market it all as Holocaust lit. Ahh, the packaging of bullshit makes for such a sweet best seller. Swallow it down, America. Put it on the shelf next to The Kite Runner.

You love this. You live for this. Aug 11, Maja The Nocturnal Library rated it it was amazing Shelves: amazing-writing , wonders-from-down-under , books-that-changed-me , made-me-cry , reviewed-in , own-a-dtb , favorites.

Such stupid gallantry. I like that a lot. A few days ago, when I was starting The Book Thief, my mother stopped by and saw the book on my coffee table. Having just read it herself and knowing me better than anyone else in the world, I might add , she was determined to save me from myself.

She did her very best to convince me not to read it. I guess I never learned to listen to my mother. I huddled in a corner and cried inconsolably instead. Death himself narrates the story about a little girl named Liesel growing up with her foster parents in Nazi Germany. At the beginning, I felt somewhat intimidated by the idea of Death as a narrator. Incredibly insightful observations and occasional dry humor are only some of the things no one but Death could have brought into this story.

I do not carry a sickle or a scythe. You want to know what I truly look like? Find yourself a mirror while I continue. It is, in fact, better to read it slowly, in small doses, in a way that allows you to savor every word and absorb the power and the magic it contains.

Death has no patience for mysteries. However, anticipation of the inevitable makes it even worse. My whole body was tingling with fear because I knew what was coming and I knew that it was only a matter of time. Zusak found a way to give a fresh approach to a much-told story.

He offered a glimpse at the other side of the coin. Really, should we feel sorry for the people hiding in a basement in Munich suburbs? Sure, bombs are falling on their heads, but most of them are members of the Nazi Party, willingly or reluctantly. Some of them truly think that Jews are no better than rats. Some, on the other hand, are hiding a Jew in their own basement.

Some are just innocent children. Death does a great job of asking all these questions in a calm, unobtrusive way. The Book Thief and Markus Zusak should find their place in every school textbook all over the world. Seven thousand stars could never be enough for this book. View all 80 comments.

Oct 10, Miranda Reads rated it really liked it Shelves: audiobook. This one is a long book. But was it worth all that paper? Click the link for my video review of the big bois in my life. Liesel, an orphaned girl, is sent to live with a foster family right before the Nazi’s take over Germany. She has a peculiar attachment to books, her first being a gravedigger’s manual that she picks up during her brother’s funeral.

Death takes an interest in her and her books on t This one is a long book. Death takes an interest in her and her books on that day and follows her, sometimes constantly and sometimes at a distance. There’s just something so Meanwhile Liesel slowly grows up in the heart of Nazi Germany. Her adoptive Papa and Mama make her bleak life bearable. But Rudy, her best friend, makes everything right in this world.

A snowball in the face is surely the perfect beginning to a lasting friendship. But their idyllic lives cannot stay that way forever. Food shortages are rampart, money becomes ever tighter and Papa’s son believes every word from Hitler. And throughout all of this, Death watches Even death has a heart. I have avoided this one for so long I absolutely hate anything that turns that much pain and sorrow into a gimmick to sell more of the product.

I feel that a majority of that entertainment field both cheapens the experience and is hugely disrespectful to the victims. I feel like this subject should be treated delicately – and there are very few bits of media that I feel do it justice. The Book Thief was just absolutely perfect in that sense. This book was just the right mixture of joys and sorrows, of highs and lows, and of good and evil. I loved Liesel and the way she grew up against the ever-present tide of Nazis.

The way she and her family struggled against the world, by hiding a Jew or showing sympathy, really made this book shine. Death made an interesting perspective , though I wish the book would have been narrated more from inside his head. Overall, loved this one. Though and this may be just me , but am I the only one disappointed by the title? I really was expecting a bit more book-thievery Audiobook Comments Extremely well-read – an absolute delight to listen to! View all 48 comments.

Aug 18, Colleen rated it it was amazing Recommends it for: People who want a fresh angle on the Holocaust. I put off reading this book for the library book club.

Here are my three reasons for doing so: 1 It’s a Young Adult Book. I am an Adult. It can’t be that good if it’s written for young people. The author will probably even focus on colors among the grays, as in “Schindler’s List.

After avoiding the book for as long as possible, I sat down, hoping to enjoy it enough to gain some c I put off reading this book for the library book club. After avoiding the book for as long as possible, I sat down, hoping to enjoy it enough to gain some clever comments for the book group. Turns out, most of my concerns were right.

The first thing any review will say about this book is that it is narrated by death. So, I might as well get it out of the way. Death, the Hooded One, the Angel of the Night, narrates.

He is very busy during the war years, as you might expect. Some people claim this is a mere gimmick, and that the story is strong enough as it is. I agree that this is a strong story– it moves like a sailboat on a brisk day– but I think the choice to tell it through Death was a good one. Death foreshadows constantly, so we know a bit about which of the characters will die. Instead of ruining the shock value, this heightened my anticipation and dread.

And isn’t that how people feel during war? They know some of them are bound to die. They know they will lose loved ones. It’s one long, hellish wait to see how it will turn out.

It’s also an unusual take on the Holocaust because it focuses on Liesel, an orphaned German girl living in Hitler’s birthplace. Liesel The Book Thief and the other characters in this book are rich, interesting, and wily. I say wily because at points in the book you hate them, but they change, and you grow to love them. For instance, Liesel’s adopted mother is a foul-mouthed, abusive, sharp woman.

Rosa’s changes prove one of the greatest reasons to read good literature– to get insight into the type of people we don’t usually give a second chance. Feb 10, Emily May rated it liked it Shelves: historical , young-adult , I hate it when this happens, I truly do. It makes me feel wrong inside when everyone else loves a book that I find to be underwhelming I mean, what’s wrong with me?? Did I not get it?? Obviously it must be a lack of intelligence or something because everyone seems to rate this 5 stars.

I was looking through my friend reviews hoping that someone would share my opinion – at least a tiny bit – and seeing 5 stars, 5 stars, 4. I can appreciate that Markus Zusak is a very talente I hate it when this happens, I truly do. I can appreciate that Markus Zusak is a very talented writer, some of the phrases he uses are beautiful and highly quotable – more reminiscent of poetry than prose. And the story idea? A tale narrated by Death and set in Nazi Germany But it was the story-telling that never really worked for me.

This is one of those incredibly slow, subtle books that are told in a series of anecdotes and are meant to cleverly build up a bigger picture I could imagine I was reading a collection of short stories and not a full-length novel about playground fights, developing friendships, WWI stories and death.

The book felt almost episodic in nature. These stories are supposed to come together and form a novel that is all kinds of awesome, but it was so bland. I also think that nearly pages of “subtlety” can make you want to throw yourself off the nearest tall building I’m giving this book 3 stars for the pretty words and the concept.

But other than that this book unfortunately won’t stay with me. I find it an easily forgettable novel. Jul 07, Tamara rated it it was amazing Shelves: top , crowd-pleasers , fiction , teen. I give this 5 stars, BUT there is a disclaimer: If you want a fast read, this book is not for you.

If you only like happy endings this book is not for you. If you don’t like experimental fiction, this book is not for you. If you love to read and if you love to care about the characters you read about and if you love to eat words like they’re ice cream and if you love to have your heart broken and mended on the same page, this book is for you. This story is narrated by Death during World War II, and it is the story of a young German girl who comes of age during one of the most horrific times in recent history.

Death has a personality. If something bad is about to happen, Death warns you ahead of time. My favorite part is when “he” stomps on a framed picture of Hitler on his way to retrieve a thousand souls from a bomb raid. Death is trying to understand the human race as much as the humans are. When “his” job becomes unbearable, he watches the color of the sky as he gathers the souls and carries them away.

The descriptions of the sky are like nothing I’ve ever read. A few quotes: In years to come, he would be a giver of bread, not a stealer – proof again of the contradictory human being. So much good, so much evil. Just add water. His face was a mustache. Every time. It’s his only detriment. He makes me cry. He decided three important details about his life: 1. He would part his hair from the opposite side to everyone else. He would make himself a small, strange mustache.

He would one day rule the world. Yes, the Fuhrer decided that he would rule the world with words. Feb 21, Jesse JesseTheReader rated it it was amazing. View all 40 comments. I feel like I was just given a history lesson but in the most emotionally damaging way possible. View all 91 comments. Jun 10, Michael rated it did not like it Shelves: dnf. I am apparently one of the few people who just do not see what all of the hype is about on this one.

I was really excited to read this after all of the glowing reviews it got, but I was left extremely disappointed. I found the writing stilted and stuttering hard to stutter in writing, but this book pulls it off , overly sentimental, and heavy-handed on the symbolism. I also found the author’s approach to the story to be just plain gimmicky. The first and foremost gimmick also see heavyy-handed I am apparently one of the few people who just do not see what all of the hype is about on this one.

The first and foremost gimmick also see heavyy-handed symbolism is that the story is narrated by Death. Now, this might work in some books, but not this one. The choice of narrator adds absolutely nothing to the story; it is only a distraction to the reader, and it also encouraged the author to add trite observations about Death’s perspective for example, he doesn’t carry a scythe, but likes the human image that add nothing to the story.

If Death here had been given developed personality or a unique perspective, then maybe and even then it’s a stretch the choice of narrator would have worked. As it is, the story is told almost entirely as though by an omniscient narrator is Death omniscient?

It’s a gimmick, and it falls flat. The other gimmick I found most distracting these are not the only two, but they are the most egregious is the repeated use of little newsflash-type, bold and centered notes that appear periodically through the story to highlight some stupid point and add in the author’s mind dramatic effect.

These newsflashes, as I think of them, were irritating and served only to break up the natural narrative flow without adding anything significant. This is another example of the author hitting the reader over the head with his points, rather than trusting his own writing to get the message across.

This is another ill-conceived and heavy-handed gimmick intended to correct for a poor narrative. I think it is telling that while this book gets listed as teen fiction, Zusak actually wrote it for adults. For some reason, it got identified as being for teens when it got marketed in the U. It seems to me that the explanation for this change is that the novel feels like it was written by a very immature author, and so the prose does not attain the quality one should expect of adult fiction.

I think good Holocaust stories need to be told, but the Book Thief fails at that endeavor. The story is trite; the narrative is sentimental and uninspired. I recommend that you look elsewhere for something better. If you want something for younger readers, try Number the Stars, by Lois Lowry. I might even add in Fahrenheit by Ray Bradbury, to counteract the heavy-handed book-burning theme of the Book Thief. There’s plenty more out there that better deserve your time and attention than does this book.

Jul 30, Will Byrnes rated it it was amazing Shelves: historical-fiction , fiction. The Book Thief was published as Young Adult novel. This is a wonderful novel, appropriate for adults of young, middle and advanced years. My wife was shedding copious tears as she finished reading the book, and insisted that I read it immediately. How could I not? I was prepared for a moving read and was not disappointed.

At his burial, she retrieves a book dropped by one of the gravediggers, a connection to her brother, and begins her career as a book thief. Rosa is a coarse, foul-mouthed woman. Hans is a warm, supportive papa. They come to form a very devoted, loving family.

But there is much more to this portrait of a German town than the bullies one expects to grow into the expected abusive stereotypes. There is hope, as well, for those who are dragged into the military against their wishes, for those who harbor fugitive Jews at great personal risk, for those who stand up against the abuse of the weak, for those who share a love of knowledge with those eager to learn.

There is sadness, as some cannot live with what they have seen, what they have lost. Nico Liersch as Rudy Steiner – from Imglist. The spirited Liesel will win your heart, as will her friend Rudy, Hans and even Rosa. There are other characters who will also pluck those strings. You will be rooting for this one or that one, cheering victories and weeping at defeats.

Having characters one comes to care for is the greatest strength of this book. Over all is an appreciation for words, their power for both good and evil, the magic of language, books as a source of both damnation and salvation. Liesel steals her first book as a way of maintaining a connection with her dead brother. Later, learning to read and continuing to steal books gives her a feeling of power.

The impact of Mein Kampf receives much attention as does book burning. Geoffrey Rush as Hans Hubermann – from Aceshowbiz. While I have no problem with this device, and while I was charmed by the characterization, I was not convinced that it was entirely necessary. One could have just used a more usual third-party narrative to tell the tale. But it is a fun addition nonetheless. The film retained the narrator and did, IMHO, a pretty good job of capturing the essence of the book. Emily Watson as Rossa Hubermann – from Hypable.

They did not all work, but most did, and I appreciated his willingness to draw outside the lines. Mark Zusak The Book Thief accomplishes a very lofty goal. It is both intellectually and artistically daring and satisfying while offering up an emotional punch second to none. It will stimulate your brain and it will, at the same time, steal your heart. View all 79 comments. Nov 21, Sean Barrs rated it it was amazing Shelves: children-of-all-ages. I devoured this. I read it, then I read it again, and now I want to read it for a third time.

This book takes such an interesting perspective on a very written about period of history. Having Death as the narrator for parts of the story really took it to the next level; it made it utterly unique. It also created a sense of detachment from the events, and evoked the message that death is unavoidable and will eventually come f I devoured this. It also created a sense of detachment from the events, and evoked the message that death is unavoidable and will eventually come for all.

I loved it, and I think the heroine is just superb. A book thieving heroine? Say no more! For me, one of the most important aspects of a well written character is someone I can sympathise with and feel vast quantities of empathy for.

So, when the protagonist is in love with reading and appreciates the freedom it can grant, I find myself somewhat immediately won over to her cause.

For a young girl she is incredibly strong. I should have known this was going to be a sad one. Death pretty much said so from the start. At least Liesel found some degree of comfort, which lifted the veil of misery somewhat. The ending of this book is precisely what made it so powerful. A fantastic story Liesel is an orphan, and when she was adopted I expected her to have an absolutely terrible time. I expected her adopted parents to be awful. In the Hubermann household she received warmth and comfort.

Hans Hubermann is an excellent man; he is open-hearted and genuine in his affection. He is everything the young orphan needed in a parent, and he is everything that was needed to balance the darkness in the book. He is a true figure of strength and someone who represents the underappreciated resistance to Nazism within Germany during WW2.

He refuses to become a member of the political party and even hides a Jew in his basement. I know I keep saying that but it is so true. Everything about this book is just brilliant. I think this is such an accomplished story. It takes a lot to write a book like this, and to end it like this. The temptation to end it differently must have been humongous. View all 35 comments. Shelves: favorites , awesome-kickass-heroines , for-my-future-hypothetical-daughter , war-s-inhuman-face , reads , i-also-saw-the-film , reads.

Words cannot describe how much I loved this book, what impact it had on me. But, like Liesel, words is all I have, so I will have to try. This is a lyrical, poignant, heartbreaking, soul-shattering story disjointedly told by a nearly-omniscient, fascinated by humans narrator – Death.

Don’t judge me – I needed a glimpse of fun in the bl Wow. Don’t judge me – I needed a glimpse of fun in the bleakness of Zusak’s story. I even kissed a few weary, poisoned cheeks.

I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. Who has to learn to lose what she loves. Because the world is baffling, because it is a cruel place, because often it tries to stomp out love and beauty. Sand castles, houses of cards, that’s where they begin.

Their great skills is their capacity to escalate. It is the mix of colors and strange metaphors, semi-dictionary entries and frequent strange asides, with skipping time, with complete disregard for spoilers. I’m spoiling the ending, not only of the entire book, but of this particular piece of it. I have given you two events in advance, because I don’t have much interest in building mystery. Mystery bores me. It chores me. I know what happens and so do you.

It is its job to know, after all. And this prescience does not soften the blows when they finally come; it only brings anticipatory dread and loving appreciation for things and people while they still ARE. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death hide spoiler ]. He steps on my heart. Max Vandenburg , the Jewish fistfighter, who dreamed of battling Hitler and gave Liesel the perfect gift with everything he had.

You taught me to read. No one can play like you. I’ll never drink champagne. She had a bigger one that people would think. There was a lot in it, stored up, high in miles of hidden shelving. Remember that she was the woman with the instrument strapped to her body in the long, moon-slit night.

Liesel, who learns more about the cold cruelty of this world than most children should ever know. Liesel, who learns to read from the Gravedigger’s handbook, who rescues the book from fire, who would rather steal books than food, who is not afraid to show kindness in the face of very real threat, who finally gives Rudy that overdue kiss, who fascinates even Death itself. All of them remained human despite the circumstances, despite the pressure to do otherwise, despite anything.

And I love them for that. This is a wonderful, lyrical, surreal, excellent book that broke my heart into tiny little pieces and yet gave me hope that even in the worst of times we can find beauty. So if something in it seems incoherent – that’s why. View all 76 comments. Persephone’s Pomegranate I love this book. Great review. Nataliya Persephone’s Pomegranate wrote: “I love this book. Persephone’s Pomegranate wrote: “I love this book. Sep 19, Tharindu Dissanayake rated it it was amazing Shelves: all-must-read , favorites , favorites-fiction.

I will tell you a story. But then, they are some of the most important books anyone can ever read, capable change one’s whole belief systems and priorities in life while improving the reader’s ability to empathize tremendously. For me, The Book Thie “If you feel like it, come with me. For me, The Book Thief turned out to be one such exceptional story. What’s strange about The Book Thief is, while it has nothing special going on in terms of aforementioned characteristics may be with the exception of the beautiful writing , the book affects the reader in a most profound way.

I believe it’s because of the undistorted nature of the underlying story, leading up to a heartbreaking, yet perfectly realistic ending. When you realize the events are not further from the truth, it’s quite easy to become overwhelmed with emotions here. But I believe that’s the whole point of a story like this. Though Zusak is not attempting to go out of the way to create and outstanding main character, the realistic development of Liesel Meminger is absolutely beautiful; it’s hard not to fall in love with her.

The secondary characters are equally wonderful, though that ending makes it all the more difficult to brace against, having being acquainted with them that well. One ribbon. One pinecone. One button. One stone.

One feather. Two newspapers. A candy wrapper. A cloud. One toy soldier. One miraculous leaf. A finished whistler. A slab of grief. I didn’t hate it by any means, but for me, it didn’t seem completely necessary to use such point of view, though I understand the author’s intention to introduce a unique perspective. But on the plus side, the reader do get some advance warnings about certain disappointment down the line.

It was a little strange at times, coming across those ‘spoiler’ type warnings, like the ones related to Rudy. At first, I had assumed may be it was the author being considerate, allowing the readers to brace themselves. But the actual ending came with an unbelievable shock, making the warnings about Rudy – though still quite painful – becoming only a fraction of the disappointment.

Need help? We noticed you don’t have JavaScript enabled. Please enable JavaScript in your browser to view our site properly. Show Me How. Big Fish Games. PC Games. Mac Games. Big Fish Casino. Android Games. They provide identity and personal liberation to those characters who have, or who gain, the power of literacy: “the true power of words”.

And they provide a framework for Liesel’s coming of age. At the beginning of the story shortly after her brother’s funeral, Liesel finds a book in the snow, one she is unable to read. Under tutelage by her foster father Hans, she slowly learns to read and write. By the end of the novel, her character arc is largely defined by her progress in reading and writing. The development of Liesel’s literacy mirrors her physical growth and maturing over the course of the story.

Literacy skills and vernacular speech also serve as social markers. Wealthy citizens in the story are often portrayed as literate, as owning books and even their own libraries, while the poor are illiterate and do not own books.

Rosa Huberman’s abrasive and oft-times scatological speech towards her family and others is emblematic of the despairing lives of the poorer classes. The Nazi burning of books in the story represents evil incarnate. Symbolically, Liesel’s repeated rescues of books from Nazi bonfires represent her reclaiming of freedom and her resistance to being controlled by the all-pervasive state.

In the midst of war and loss, love is a central theme which acts as a catalyst for change and sacrifice throughout the book. Liesel overcomes her traumas by learning to love and be loved by her foster family and her friends. At the beginning of the novel, Liesel is traumatized not only by the death of her brother and her separation from her only family but also by the larger issues of war-torn Germany and the destruction wrought by the Nazi party.

As Liesel’s foster father Hans develops a relationship with her, this relationship helps create healing and growth. This pattern is reflected in the relational dynamic between the Hubermann family and Max. In a society ruled by governmental policies that presume to stand in judgment of who is truly human, the Hubermanns’ relationship with Max defies the Nazi regime. Further, the love that Max and Liesel develop through their friendship creates a strong contrast to the fascist hate in the backdrop of the story.

A film adaptation was released on 8 November Michael Petroni wrote the script. John Williams wrote the music soundtrack. From Wikipedia, the free encyclopedia. Novel by Markus Zusak. This article is about the novel. For the movie, see The Book Thief film. This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor’s personal feelings or presents an original argument about a topic.

Please help improve it by rewriting it in an encyclopedic style. March Learn how and when to remove this template message. This article’s plot summary may be too long or excessively detailed.

Please help improve it by removing unnecessary details and making it more concise. July Learn how and when to remove this template message. Main article: The Book Thief film. The Book Thief. New York: Alfred A. Retrieved 4 May Jewish Book Council. Retrieved 20 January Retrieved 1 November The Bulletin of the Center for Children’s Books.



The collector the book thief free


Death himself is the narrator of The Book Thief , and the setting is Nazi Germany during World War II, so there is a constant feeling of danger and suspense in the story. The narrator also reveals the fates of most of the characters beforehand, particularly the details of their deaths. This creates a different kind of suspense, where the reader knows some of the story’s end but still wants to know how the characters….

Markus Zusak constantly reminds the reader of the importance of language through his writing style. The disjointed narration, postmodern style the starred, bold-faced interjections , and poetic phrasing emphasize the words used to tell the story, to the point that the reader is never allowed to sink unconsciously into the plot. There are also many reminders of language within the novel’s action — Liesel and Hans write on the back of sandpaper, the newspaper becomes imprinted….

Related to words and language is the theme of books, which begins even in the novel’s title. Books as objects play major roles in the plot, and the story itself is divided among the different books Liesel steals or is given. The Nazi book-burning is a central plot point, and represents the suppression of free speech but also an acknowledgement of the power of books themselves — Hitler fears books that contradict his propaganda.

In the setting of Nazi Germany, the idea of criminality is turned upside down — Hitler ‘s laws require citizens to commit crimes against humanity, and when Liesel or Hans show kindness to Max or any other Jew they are harshly punished.

The thievery of the novel’s title also seems like less of a crime in the context of the story. When Liesel and Rudy steal books and food it is a small way of…. When he takes a soul, Death remembers the color of the sky to distract himself from his grim work. He begins the story with the colors of his three meetings with Liesel , the book thief — white, black, and red — and combines these to form the Nazi flag, which hangs over the story like the colors of the sky.

Later Liesel acts similarly to Death in describing the sky to Max when he…. The Book Thief. Plot Summary. LitCharts Teacher Editions.

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Struggling with distance learning? Introduction Intro. Themes All Themes. Symbols All Symbols. Theme Wheel. Everything you need for every book you read. The way the content is organized and presented is seamlessly smooth, innovative, and comprehensive.

Themes and Colors. LitCharts assigns a color and icon to each theme in The Book Thief , which you can use to track the themes throughout the work. This creates a different kind of suspense, where the reader knows some of the story’s end but still wants to know how the characters… read analysis of Death. Words and Language. There are also many reminders of language within the novel’s action — Liesel and Hans write on the back of sandpaper, the newspaper becomes imprinted… read analysis of Words and Language.

Liesel… read analysis of Books. Stealing and Giving. When Liesel and Rudy steal books and food it is a small way of… read analysis of Stealing and Giving.

Color, Beauty, and Ugliness. Later Liesel acts similarly to Death in describing the sky to Max when he… read analysis of Color, Beauty, and Ugliness.

Cite This Page. Home About Blog Contact Help. Previous Epilogue: The Handover Man. The Book Thief Themes. Next Death.


The collector the book thief free –


And books. This is what the story set against the terrible backdrop of war is about. Zusak accomplished a difficult feat – making me ache for the children of the enemy, the children and people of Nazi Germany, because even when caught in the middle of destruction, even ending up on different sides of artificial barricades people are still people, still deserving of love, still beautiful. This book is the ode to those who kept their humanity in the middle of war , who were so human that nothing could ever change that.

Rudy Steiner , the boy with the “hair the color of lemons” , who has so much love and integrity and life view spoiler [that I cried myself to sleep over his fate that Death so casually and cruelly revealed to us hide spoiler ] , who was by Liesel’s side since the beginning of their friendship – ” A snowball in the face is surely the perfect beginning to a lasting friendship.

He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist’s suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground.

It amazes me what humans can do, even when streams are flowing down their faces and they stagger on. Prologue : maybe I did not pay enough attention, anyway I did not understand anything about the prologue or nearly. The beginning of this novel was not very exciting for me, the first pages left me quite indifferent. Only the first pages, luckily.

First chapter : the novel recovers right away, capturing my interest. Until the end. Germany, World War II. It’s the story of Liesel’s childhood, the thief of books, a little girl adopted by a modest German family, dea. It’s the story of Liesel’s childhood, the thief of books, a little girl adopted by a modest German family, dealing with hunger and bombs. It’s the story of his adoptive dad and mom, Hans and Rosa Hubermann, a good and gentle man, the first, a crusty and practical big lady, the second.

It’s the story of Rudy Steiner, a Liesel’s playmate, who falls in love with her. And it’s the story of Max, a jewish boy, who weaves his own destiny with that of Liesel. Although some statements appear to be somewhat cryptic, Zusak’s prose is fluid and meaningful. I see the influence of Neil Gaiman ‘s ” Death ” , because of the eccentric character of the Death. I cannot fail to see the little Scout in Liesel’s shoes, as well as I cannot fail to see the good Atticus in Hans Hubermann’s shoes.

I cannot fail to see the same oppressed, black persons in jews’s shoes. Prologo : forse non ho prestato la dovuta attenzione, in ogni caso non ho capito niente del prologo o quasi.

Primo capitolo : il romanzo si riprende subito, cattura il mio interesse. Fino alla fine. Siamo in Germania, durante la seconda guerra mondiale. E’ la storia della fanciullezza di Liesel, la ladra di libri, una bambina adottata da una modesta famiglia tedesca, alle prese con la fame e le bombe. E’ la storia di Rudy Steiner, compagno di giochi di Liesel, dichiaratamente innamorato di lei. Vedo influenze del ” Death ” di Neil Gaiman , per il carattere piuttosto eccentrico della Morte.

Non riesco a non rivedere la piccola Scout nei panni di Liesel, come pure non riesco a non rivedere il buon Atticus nei panni di Hans Hubermann. Non riesco a non rivedere gli stessi oppressi, persone di colore nei panni degli ebrei. Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions.

Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Librarian’s note: An alternate cover edition can be found here It is Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still. By her brother’s graveside, Liesel’s life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger’s Handbook, left behind there by accident, and it is her f Librarian’s note: An alternate cover edition can be found here It is It is The Gravedigger’s Handbook, left behind there by accident, and it is her first act of book thievery.

So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor’s wife’s library, wherever there are books to be found. But these are dangerous times. When Liesel’s foster family hides a Jew in their basement, Liesel’s world is both opened up, and closed down. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak has given us one of the most enduring stories of our time.

Note: this title was not published as YA fiction Get A Copy. Hardcover , First American Edition , pages. More Details Original Title. Molching , Germany Germany. Edwards Award Other Editions All Editions Add a New Edition. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The Book Thief , please sign up. I would like to ask if anyone cried while reading the book? I had to wait until the train was clear before I could compose myself and leave.

James Joyce “The sun pinned me down, like a cop’s flashlight. So bright I became blind to everything, but that circle of light. I surrendered, to it. See all questions about The Book Thief…. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details.

More filters. Sort order. Start your review of The Book Thief. Jun 03, Kat Kennedy rated it really liked it Recommends it for: People into self-flagellation. Shelves: i-learned-something-new , contemporary-fiction , kat-s-book-reviews , australian-writer.

Just to clarify: Yes, I did cry. I’ve read a lot of positive and negative reviews for this book. I can see why people wouldn’t like it – I really can. Perhaps because I took a lot out of it personally, I found I enjoyed it a lot. Quick test to see if you’ll like this book: 1. Did you like Anne of Green Gables? Can you cope with an off-beat, melancholy, caustic, dead-pan, self-righteous narrator? Do you like words?

Questions were all about what kind of underwear you’re wearing so don’t worry Just to clarify: Yes, I did cry. Questions were all about what kind of underwear you’re wearing so don’t worry about them. So, let’s all gather around for story time with Mistress Kat. Two incidents set me off lately. My neighbour came to me and complained about the Islanders for those not Australian: the Tongan, Fiji, Papa New Guinea and New Zealand populations of Australia causing trouble and otherwise defiling our great and beautiful nation.

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